Week 2 for the Theoreticians, Dictation on Sol Bloom's Snake-Charmer, and Retrograde board work,
bombing
down
the
freewayic
beautific
byways
in
stratus and sun to
Diablo Valley College previous to this,
and
returning to compose page 2 of Alma Maria Schindler Mahler Gropius Werfel: I. Klimt, on the 164th day of summer, high back down 9 degrees to 82 (111th of 80+).
Towards evening,
take an
early blitz
to
UC Davis
Library (due to hours only until 8pm, rather than the in-season 12 midnight), for The Opus Project presents Opus 20 work -- rendezvousing with
Paul Hindemith (1895-1963) Das Nusch-Nuschi, Op. 20 (1920)
Aaron Copland (1900-1920) Music for the Theatre: IV. Burlesque (1925)
Samuel Barber (1910-1981) Excursions for Piano, Op. 20 (1944)
John Cage (1912-1992) Bacchanale (1940)
Benjamin Britten (1913-1976) Sinfonia da Requiem, Op. 20 (1940)
Thereafter,
begin score study of Dmitri Shostakovich's Symphony No. 3, Op. 20 (1929), plus the Copland and Britten. Late, send out links to Opus Project Orchestra members re
Sergei Taneyev (1856-1915) Piano Quartet, Op. 20 (1906)
Alexander Gretchaninoff (1864-1956) The Captive, Op. 20, No. 4 (1899)
Richard Strauss (1864-1949) Don Juan, Op. 20 (1899)
Jean Sibelius (1865-1957) Malinconia, Op. 20 (1900)
Albert Roussel (1869-1937) The Bachelor of Salamanca, Op. 20 (1919)
Sergei Rachmaninoff (1873-1943) Spring, Op. 20 (1902)
Gustav Holst (1874-1934) Sweet and Low, Op 20a, No. 1 (1905)
Arnold Schoenberg (1874-1951) Foliage of the Heart, Op. 20 (1911)
Leonardo de Lorenzo (1875-1962) Valse Pathetique, Op. 20, No. 2 (1917)
Reinhold Gliere (1875-1964) String Quartet No. 2 (1905)
Karol Szymanowski (1882-1937) In the Dark Moon, Op. 20, No. 1 (1909)
Sergei Prokofiev (1891-1953) Scythian Suite, Op. 20 (1915)
Darius Milhaud (1892-1975) Abandonment, Op. 20, No. 1 (1914)
Paul Hindemith (1895-1963) Das Nusch-Nuschi, Op. 20 (1920)
