October 3 - Elemental

  
SAN FRANCISCO
COMPOSERS CHAMBER ORCHESTRA

Mark Alburger, Music Director


Music of Air, Earth, Fire, and Water
Dress Rehearsal, 7pm, Friday, October 3, 2014
Old First Presbyterian Church, San Francisco, CA
Mark Alburger and Martha Stoddard conducting


Program

Michael Kimbell
     Front Line
          I. Front Line Man
          II. The Soldier's Tale
          III. Sanctuary


Lisa Scola Prosek       
     Interludes from "The Lariat"
          I. The Ventana Wind
          II. Hualala and the Crickets
          III. Variations on a Modoc War Song

Mark Alburger       
     Abducted by Aliens, Op. 222 (2014)
          I. 1965 Gemini VII Bogey
          II. 214 BC Livy / 74 BC Plutarch
          III. 1561 Nuremberg Celestial Phenomenon
          IV. 1897 Aurora, TX, UFO Incident
          V.1944 Foo Fighters / 1947  Kenneth Arnold UFO Sighting /
               Roswell UFO Crash
          VI. 1948 Thomas Mantell / Gorman Dogfight
          VII. 1955 Kelly-Hopkinsville Encounter
          VIII. 1957 Gordon Cooper / Antonio Vilas-Boas /
               1961 Betty and Barney Hill Abduction
          IX. 1966 Portage County UFO Chase
          X. 1973 Pascagoula Abduction /
               1976 Tehran UFO Incident / 1986 Japan Air Lines

Stardust
     Railway Sonata



Loren Jones



     Raven and Panther

***


SAN FRANCISCO COMPOSERS CHAMBER ORCHESTRA PRESENTS
MUSIC OF AIR, EARTH, FIRE, AND WATER

8pm, Saturday, October 4                
Old First Presbyterian Church
1751 Sacramento Street
San Francisco, CA

                                  
Mark Alburger - Abducted by Aliens
Michael Kimbell - Front Line
Loren Jones - Raven and Panther
Lisa Scola Prosek - Interludes from "The Lariat"
Stardust - Railway Sonata

***


Up


early 


again,


and


out for paper grading in Pleasant Hill, followed by the 


Friday morning Music History devotees, rapidly making up for lost time through the Renaissance (Quiz) and --


after the break -- Baroque (Group Work), looking ahead as below:


C Melodic Minor Scale (Key Signature of Three Flats Bb - Eb - Ab)

Ascending - C D Eb F G A-Natural B-Natural C

Descending - C Bb Ab G F Eb D C


Four Movements of a Typical Symphony, and their Letter Designations

Sonata Allegro A (Exposition) B (Development) A' (Recapitulation)
                         ab                                                  a'b'

Theme and Variations A A' A'' --- (etc.)

Minuet and Trio A                            B                              A
                           a(repeat) b(repeat) c(repeat) d(repeat)    a b

Rondo  ABACA  (ABACABA)



Ludwig van Beethoven (1770 -1827)  
Stylistic Periods and Characterizations


Early - Classical

Middle - Typical

Late - Romantic


Listening

[8732] F.J. Haydn - Symphony No. 94 ("Surprise"): II

[8756] W.A. Mozart - Violin Concerto No. 5 ("Turkish"): III

[8770] Ludwig van Beethoven - Symphony No. 1: I

[8803] Hector Berlioz - Symphonie Fantastique: V. Dream of a Witches' Sabbath

[8807] Felix Mendelssohn - Oveture to "A Midsummer Night's Dream"

[8813] Giuseppe Verdi - Rigoletto: Quartet

***


Briefly


homeward,


then


back


down


the scenic


corridor to the dress, returning, on the 202nd day of summer, high 96 (95 in the City -- 145th locally at 80+, 77th 90-or-better), to compose page 6 for Portraits of ___(Some Multiple of 3) Women: XXI. Who Is She?