April 29 - Let X = Excellence


Sorab treats us to his expertise as marimbist in Music Theory (on DVC's impressive 5 1/2 octave giant -- C2 to G7 -- the largest type made, larger than the San Francisco Symphony's!),


with performances including a J.S. Bach Cello Suite No. 2 transcription, which, in its new incarnation sounds quite contemporary.


The


ever-


scenic


morning


commute


down


flower-


filled


680


before,


and after up to the Arts Division,


for belated paperwork from last week,


then


a


mid-day


return


to grade papers (still behind, but at least starting to catch up),


and


southwestward


once


more


to


rendezvous with the Literature students to finish with works from recent times, beginning the review for the Final (Part I, as below (for May 20):



Write Any Major Scale Other Than C, with Solfege

Write Any Minor Scale Other Than A, with Solfege

Six Periods of Aesthetic History (and Approximate Dates)
Ancient (before A.D. 400)
Medieval (400-1400)
Renaissance (1400-1600)
Baroque (1600-1750)
Classical (1750-1825)
Romantic (1825-1900)

Listening
[5999] China - Entrance Hymn for the Emperor
[8270] Italy - Trotto
[8450] Josquin - Scaramella
[8785] J.S. Bach - Brandenburg Concerto No. 1: I
[8870] Ludwig van Beethoven - Symphony No. 7: II
[8813] Giuseppe Verdi - Rigoletto: Quartet

***


Out


afterward for the


first Board Meeting of The Opus Project, returning yet again late to edit more of The Decameron - Fourth Day: X (page 4) and Psalm 122 (5).  50th day of summer, by far the highest of the year, at 88, and 10th at 80 or better...